Inspired by Cohen and cult heroes The Blue Nile, as well as the English bands Rouse grew up listening to like The Cure and The Smiths, the songs were cinematic and enveloping. I told Daniel that I thought itвЂ™d be fun to write some stuff in that vein, so weвЂ™d start with these moody soundscapes, and then IвЂ™d write lyrics on top of them.вЂќ

вЂњIвЂ™d just finished reading Sylvie SimmonsвЂ™ great Leonard Cohen biography, вЂIвЂ™m Your Man,вЂ™ and it got me really into CohenвЂ™s synthier records. вЂњI started working on songs with my old friend and writing partner Daniel Tashian on those trips,вЂќ Rouse explains. As they awaited news from the US government, their Tennessee home sat empty for more than a year, and Rouse found himself making regular trips across the Atlantic to check in on the property. He was ready to relocate from Spain back to Nashville with his family, but his wifeвЂ™s green card process was stretching out interminably. Q called his breakout album, вЂљ1972,вЂ вЂћthe most intimate record of the year,вЂњ while Rolling Stone dubbed his follow-up, вЂљNashville,вЂ вЂћa landmark album,вЂњ and EW described 2013вЂ™s вЂљThe Happiness WaltzвЂ as вЂћa big contender for RouseвЂ™s best work.вЂњ In 2014, Rouse won a Goya Award (the Spanish equivalent of an Oscar) for best song for вЂћDo You Really Want To Be In Love,вЂњ from the film вЂљLa Gran Familia EspaГ±ola.ДЄs he began work on вЂLove In The Modern Age,вЂ™ Rouse was caught in a moment of international limbo. Hailed as вЂњa talent to outrank Ryan Adams or Conor OberstвЂќ by Uncut and praised for his вЂњspare and easy sounding guitar songsвЂќ by NPR, Rouse first emerged in 1998 with his debut album, вЂDressed Up Like Nebraska,вЂ™ which Billboard called a вЂњdark horse gem.вЂќ Over the next two decades, heвЂ™d go on to release a steady stream of critically lauded records that would solidify his status as one of the his generationвЂ™s most acclaimed songwriters, both in the US and Europe, where heвЂ™s lived on and off since 2004. The end result, вЂLove In The Modern Age,вЂ™ is an album that still bears RouseвЂ™s distinct fingerprints, even as it pushes his limits and forges a bold new chapter more than twenty years into his celebrated career.ДЄktivieren Sie JavaScript um das Video zu sehen.

Where вЂEmbersвЂ™ was a deeply personal, countrypolitan contemplation on identity and anxiety, the new material that poured out of him was breezier and more carefree, crafted with an 80вЂ™s-inspired sonic palette that complemented the shift from somber introspection to more playful observation. Never one to ignore the call of his muse, Rouse traded in his trusty acoustic guitar for a synthesizer, a move that quickly pulled him in a slew of exciting, unexpected directions as he found himself freshly inspired by the endless array of possibilities at his fingertips. вЂњI wanted to explore new sounds and write with a fresh backdrop.вЂќ вЂњComing off such a heavy record, I wanted to try something different,вЂќ he explains. April 2018, Yep Roc Records / HвЂ™ArtДЄfter spending the better part of a year touring behind his critically acclaimed eleventh album, вЂThe Embers Of Time,вЂ™ Josh Rouse was ready for a change.

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